{"id":3560,"date":"2024-06-29T02:42:37","date_gmt":"2024-06-29T00:42:37","guid":{"rendered":"https:\/\/www.julian-kirschler.com\/?page_id=3560"},"modified":"2026-02-13T23:24:21","modified_gmt":"2026-02-13T22:24:21","slug":"werkstext-in-nomine-patris","status":"publish","type":"page","link":"https:\/\/www.julian-kirschler.com\/fr\/werkstext-in-nomine-patris\/","title":{"rendered":"Texte de l'\u0153uvre : IN NOMINE PATRIS"},"content":{"rendered":"
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IN NOMINE PATRIS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Le travail a pour origine la reconstruction ou la d\u00e9construction d'un retable gothique. Le choix du triptyque de l'\u00e9glise Saint-Jean \u00e0 Dannenberg comme mod\u00e8le pour la manipulation, s'est fait en entrant les termes de recherche \u201etriptyque\u201c, \u201eautel\u201c dans un moteur de recherche. Au lieu de l'histoire de la Passion repr\u00e9sent\u00e9e par le retable \u00e0 volets dans le triptyque r\u00e9alis\u00e9 au milieu du 15e si\u00e8cle, IN NOMINE PATRIS n\u00e9gocie sur trois \u00e9crans une Passion d'un autre genre : les abus sexuels commis pendant des d\u00e9cennies sur des enfants et des adolescents dans l'\u00c9glise catholique romaine. Repr\u00e9sentant les victimes, nous assistons dans ce film d'animation d'environ trois minutes \u00e0 une procession de jouets d'enfants endommag\u00e9s qui peuplent peu \u00e0 peu l'espace virtuel de l'\u00e9glise et se rassemblent finalement en silence sous la croix.<\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

IN NOMINE PATRIS Die Arbeit geht auf die Re- bzw. Dekonstruktion eines gotischen Altars zur\u00fcck. Die Wahl des Dreifl\u00fcgelaltars der St.-Johannis-Kirche in Dannenberg als Vorlage f\u00fcr die Manipulation, erfolgte \u00fcber die Eingabe der Suchbegriffe \u201eTriptychon\u201c, \u201eAltar\u201c in eine Suchmaschine. Statt der Passionsgeschichte, die der Fl\u00fcgelaltar in dem Mitte des 15. Jahrhunderts entstandenen Triptychon darstellt, verhandelt […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3560","page","type-page","status-publish","hentry"],"yoast_head":"\nWerkstext: IN NOMINE PATRIS - Julian Kirschler<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.julian-kirschler.com\/fr\/werkstext-in-nomine-patris\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Werkstext: IN NOMINE PATRIS - Julian Kirschler\" \/>\n<meta property=\"og:description\" content=\"IN NOMINE PATRIS Die Arbeit geht auf die Re- bzw. Dekonstruktion eines gotischen Altars zur\u00fcck. Die Wahl des Dreifl\u00fcgelaltars der St.-Johannis-Kirche in Dannenberg als Vorlage f\u00fcr die Manipulation, erfolgte \u00fcber die Eingabe der Suchbegriffe \u201eTriptychon\u201c, \u201eAltar\u201c in eine Suchmaschine. Statt der Passionsgeschichte, die der Fl\u00fcgelaltar in dem Mitte des 15. 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